一曲相思未了情(1960)

In a confused welter of artistic licence, this is the classical music biopic which makes ''Song to Remember''look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that ''we toil over that which Liszt reads at sight!'' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.

第33届奥斯卡金像奖歌舞片最佳配乐哈里·萨克曼 / 莫里斯·斯托洛夫 第18届金球奖电影类 最佳音乐片 第18届金球奖电影类 音乐/喜剧片最佳男主角(提名)德克·博加德